NEW YORK (AP) ā When the photographer Ernest Cole died in 1990 at the age of 49 from pancreatic cancer at a Manhattan hospital, his death was little noted.
Cole, one of the most important chroniclers of was by then mostly forgotten and penniless. Banned by his native country after the publication of his pioneering photography book Cole had emigrated in 1966 to the United States. But his life in exile gradually disintegrated into intermittent homelessness. A six-paragraph obituary in The New York Times ran alongside a list of death notices.
But Cole receives a vibrant and stirring resurrection in Raoul Peckās new film narrated in Coleās own words and voiced by LaKeith Stanfield. The film, which opens in theaters Friday, is laced throughout with Coleās photographs, many of them not before seen publicly.
As he did in his Oscar-nominated James Baldwin documentary the Haitian-born Peck shares screenwriting credit with his subject. āErnest Cole: Lost and Foundā is drawn from Coleās own writings. In words and images, Peck brings the tragic story of Cole to vivid life, reopening the lens through which Cole so perceptively saw injustice and humanity.
āFilm is a political tool for me,ā Peck said in a recent interview over lunch in Manhattan. āMy job is to go to the widest audience possible and try to give them something to help them understand where they are, what they are doing, what role they are playing. Itās about my fight today. I donāt care about the past.ā
āErnest Cole: Lost and Foundā is a movie layered with meaning that goes beyond Coleās work. It asks questions not just about the societies Cole documented but of how he was treated as an artist, drawing uncomfortable parallels between apartheid and post-Jim Crow America. In the U.S., Cole was given a Ford Foundation grant to capture Black life in rural and urban areas, but he struggled to find a foothold professionally. Some editors said his images lacked āedge.ā
In 2017, more than 60,000 of Coleās 35mm film negatives were discovered in a bank vault in Stockholm, Sweden. Much of that material, including thousands of photographs Cole took in the U.S., was believed lost. Answers for how they had gotten there, and why they hadn't been known about earlier were hard to come by. āLost and Foundā portrays the struggle of Cole's estate to acquire the collection. Only on the eve of the film's Cannes Film Festival premiere in May did the bank finally announce the handover of most materials to the estate.
What those photographs reveal is an artist who made much more than indelible images of apartheid life. Coleās early photographs, published in 1967, offered one of the most illustrative and damning portraits of apartheid to Western eyes, including a widely reproduced photograph of a middle-aged woman sitting on a park bench that read āEuropeanās only.ā But he was an equally astute and sensitive observer of the segregations, and multicultural joys, of American life.
āItās a matter of survival,ā Stanfield narrates as Cole. āSteal every moment.ā
For Peck, the themes of āErnest Cole: Lost and Foundā are deeply personal. The 71-year-old filmmaker, a former minister of culture in Haiti, has spent much of his artistic life also away from his native country, in Berlin, Paris and New York. He dedicates the movie āto those who died in exile.ā
āWhen I say that, thatās most of my friends,ā he says. āI recognize all the steps. When you take a contact sheet, I see myself.ā
For some four decades, Peck has made some of the most urgent films, in both fiction (including 2000ās āLumumba,ā about the exiled Congo leader) and non-fiction (including last yearās ). But he has rarely not employed both narrative and documentary elements in films that take their own shape ā movies less interested in genre distinctions than they are pursuing unexamined truths.
Thatās made Peck an increasingly exceptional figure in a documentary world thatās become more and more dominated by glossier, less probing films for streaming platforms.
āItās gotten worse. Thereās less money so young people are desperate and accept stuff that my generation would never accept,ā Peck says. āThe whole industry has changed. I knew another world, and I recognize itās not that anymore.ā
Peck is currently editing a documentary on George Orwell. Like āErnest Cole: Lost and Found,ā it will be told totally in Orwellās words. A few days after the U.S. election, Peck was working to update a moment in the film that touches on President-elect Donald Trump. Peck has been astonished at how prescient Orwell was on so many current issues ā misinformation, AI, social media, the refugee crisis.
āHe was a really incredible critic of history and how history is even told,ā says Peck. āBefore plunging into it, I did not realize how sharp he was about whatās going on today.ā
āTo me,ā he adds, āa film has value if itās talking to us today.ā
Jake Coyle, The Associated Press
