NEW YORK (AP) ā Jacques Audiardās is an Oscar contender unlike any other. Itās a musical, a trans parable, and a Mexico-set melodrama, all combined into one unique amalgamation by an international filmmaking team.
And just as singularly, itās a best picture front-runner that, it sometimes seems, no one likes.
On one hand, āEmilia PĆ©rezā is one of the most celebrated films of the year. It , earned and landed . Only three movies, ever, have scored more.
On the other hand, āEmilia PĆ©rezā has been lampooned for its tonal extremes, and engulfed in controversy since it ascended to Oscar-favorite status.
A lot is hinging on how far āEmilia PĆ©rezā can go. If it manages to steer through the backlash and go home the big winner at the March 2 Oscars, it would hand Netflix its first best picture win. Its star, , is the first openly trans actor nominated for best actress. A win would be even more historic.
Those possibilities, though, appear severely threatened after old tweets of Gascónās led her to ā the latest setback in an Oscar campaign thatās veering close to becoming a train wreck.
But how did we get here in the first place? What has made āEmilia PĆ©rezā so acclaimed and reviled in equal measures?
It started in Cannes
When āEmilia PĆ©rezā , the reception was mixed but generally favorable. Audiard, the French director of āA Prophet,ā āDheepanā and āRust and Bone,ā has made tales of transformation a specialty. But āEmilia PĆ©rezā is perhaps his boldest foray yet into shape-shifting narratives.
Gascón stars as a Mexican drug lord who, with the help of a lawyer (Zoe Saldaña), undergoes gender-affirming surgery. Later, she emerges to reconnect with the children she had with her ex-wife, played by Selena Gomez.
The narco-musical is unabashedly audacious ā a quality that the filmās supporters warmly embraced. The filmās ensemble shared in the best actress award at Cannes, and the movie won the jury prize. Netflix acquired it for a reported $12 million.
Becoming an Oscars front-runner
While āEmilia PĆ©rezā seemed to have promising awards chances for its actors, it didnāt take on the air of Oscar heavyweight until late fall. By then, Netflix, which aggressively campaigns for awards, had built āEmilia PĆ©rezā into an unlikely juggernaut.
Working in its favor: This yearās awards season has been seen as wide open. Also, the other much-honored musical, āWicked,ā features songs from the Broadway adaptation, leaving it on the sidelines in the best song category where original tunes are required. Both āEl Malā and āMi Caminoā from āEmilia PĆ©rezā were nominated for best song.
It also, as Franceās submission, was nominated for best international film. As the film academy has expanded its membership in recent years, many more overseas voters have swayed the Oscars toward international nominees. A Spanish-language, French production featuring Hollywood stars perfectly suits the increasingly global Oscars.
Audiences have their say
As the awards chances of āEmilia PĆ©rezā expanded, audiences also began to weigh in. If critics were split, viewers have been largely negative, according to some metrics. On Rotten Tomatoes, the movie earned a passing grade from 76% of reviewers, but just 19% from audiences. Netflix doesnāt report box office figures, so āEmilia PĆ©rezā has no quantifiable ticket sales in the U.S. and Canada. The film also hasnāt ranked highly on the streaming service.
As more watched the film, some poked holes in it. GLAAD passed over āEmilia PĆ©rezā in its annual awards. The declared the movie āa profoundly retrograde portrayal of a trans womanā and āa step backward for trans representation.ā
Moviegoers in Mexico likewise werenāt impressed, taking issue with the filmās jumble of Spanish accents, its simplistic treatment of drug violence in the country and what some described as pervasive inauthenticity. The Mexican comedian and actor Eugenio Derbez called Gomezās accent āindefensibleā before later apologizing.
A group of Mexican filmmakers even responded with a payback parody short film titled described as āa French-inspired film made entirely without a French cast or crew.ā The film had more than a million viewers in its debut weekend on YouTube, while screenings of āEmilia PĆ©rezā in Mexican cinemas remain sparsely attended.
Gascón's social media posts surface
In late January, the journalist Sarah Hagi captured old posts on X by Gascón disparaging Muslims, George Floyd and China. After an uproar, Gascón apologized Thursday in a statement provided by Netflix.
The posts dating back as far as 2016 included suggestions that Islam be banned and that Floyd, a Black man killed by a white Minneapolis police officer in 2020, was a drug addict who āvery few people ever caredā for.
āAs someone in a marginalized community, I know this suffering all too well and I am deeply sorry to those I have caused pain,ā Gascón said. āAll my life I have fought for a better world. I believe light will always triumph over darkness.ā
Gascón's X account was subsequently deactivated.
What happens next
Just how much damage has been done to the Oscar chances of āEmilia PĆ©rezā remains to be seen. Gascón was seen as unlikely to win over best actress favorite Demi Moore (āThe Substanceā), but pundits believe the fallout could be wider for a movie that already had a lot of dings against it.
Other films, though, have weathered controversies on the way to Oscar glory. The divisive , but still pulled out the win. This year, it should be a close race, regardless. An unusually large number of films, including āAnora,ā āConclave,ā āThe Brutalist,ā āWickedā and āA Complete Unknown,ā are believed to have a legitimate chance.
Oscar voting begins Feb. 11. Before the Oscars in March, ceremonies by the Screen Actors Guild, the Producers Guild and BAFTA should provide some clues as to whether "Emilia PĆ©rezā is still the favorite or not.
Jake Coyle, The Associated Press