LOS ANGELES (AP) ā When enjoys working with a filmmaker, heāll often jump at the chance to do it again.
The list of directors with whom the 69-year-old has worked with more than once is extensive, including and, now for a third time, āIf itās good, you come back,ā Dafoe said plainly.
The pair spoke with The Associated Press about Eggersā adaptation of āNosferatuā that hits theaters Wednesday, some of the challenges they faced making ā their first project together released in 2019 ā and the unique relationship that exists between actors and directors.
The interview has been edited for clarity and brevity.
AP: Willem, I read that you called Robert after you saw What did you say?
DAFOE: I want to meet you and I want to know who this filmmaker is.
AP: What is it about him that keeps bringing you back?
DAFOE: Well, if itās good, you come back. When I saw āThe Witch,ā I thought, āWow, this is a film about a period that Iām not particularly knowledgeable about, but I enter it so easily. This is relevant. Itās rooted. Itās my story. Iām with these people.ā
Thatās quite an incredible trick because a lot of period films, theyāre always pointing to themselves. Theyāre always sending messages. Theyāre always showing. This had a kind of energy and the kind of physicality and sensuality that I thought, āWho does this? I gotta see this guy.ā And then I had a wonderful experience in āThe Lighthouseā and I played a part that was really fun in So, when he wants to do this passion project and offers me this beautiful role of Professor Von Franz, I say, āOf course.ā
AP: Robert, did you always envision Willem for that role?
EGGERS: Yeah, I mean, I donāt see how you could have anyone else but Willem Dafoe in this role.
AP: Did you have a favorite role of his before the two of you worked together?
EGGERS: Thatās pretty tough. But since you might ask about it, I do love āShadow of the Vampire,ā where he plays Max Schreck. When I first saw āNosferatuā as a 9-year-old, the VHS I had was made from a degraded 16-millimeter print and there was a kind of magic to it because it felt unearthed from the past and it felt, like, real. And when you watch the restored versions of āNosferatu,ā you can see Max Schreckās bald cap and the greasepaint of his makeup. But in the version that I saw, he seemed like a real vampire, and thatās how a lot of people experienced āNosferatu.ā And so there was a legend that Max Schreck was a real vampire. And so, Willem Dafoe, in āShadow of the Vampire,ā plays Max Schreck as a real vampire. And it is an incredible performance.
AP: We have this notion of instant connections, be them friendships or romantic relationships. Does that exist at all between directors and actors? Or does it always take time to build trust?
EGGERS: It takes time to build trust for sure. But that instinct for me actually was really that first meeting. I was kind of blown away that one of my heroes wanted to meet with me. But then the conversation became really easy, quickly. And now I kind of know when Iām having a meeting with an actor, if it goes like that, thereās a good thing here, you know? And if Iām very aware of like their celebrity and it becomes like a thing, itās not going to go well.
DAFOE: We had a lot in common. There was a language he spoke about performing, about creating things. I understood it. I thought, āIām home,ā you know? And as far as the trust, thereās always unforeseen challenges and difficulties. And then you see how they field them, and thatās how you build trust. So clearly, something like āThe Lighthouseā had its challenges. Thank God. I love a challenge. Otherwise, you tend to, you know, lose your way or think outside of the frame too much. And look, heās a nice, sweet guy, but heās really concentrated. And I like that. That kind of discipline, that kind of passion. It makes my work that I do valuable because then I want to do his bidding. I want to, you know, be an extension of him.
AP: Do any specific challenges from āThe Lighthouseā come to mind?
(Both laugh)
DAFOE: I would say a scene where Iām buried alive, Iām speaking poetic language, and itās really cold, cold, cold. But you know what? All those elements I love because they push me to a place that Iāve never been before. And itās not just about overcoming obstacles. Itās really about getting outside of yourself and getting beyond your experience and having something happen to you thatās meaningful and curious and taps into a sense of wonder. Thatās what youāre looking for. So sometimes youāve got to push it. And heās responsible. Itās not like he beats me up or anything. But thatās a good example of something thatās tough.
AP: Robert, does it annoy you as much as it annoys me that Willem doesnāt have
EGGERS: Yeah. I mean, I think Willem is not in it for the Oscars but he certainly deserves one for sure.
Krysta Fauria, The Associated Press