劲爆大瓜

It was early in the pandemic when filmmaker Noah Baumbach , for the first time in his career, found himself wondering what he was going to do next. 2019 had been a big year, both professionally and in his personal life. He lost his father.

The Associated Press鈥� Film Writers Jake Coyle and Lindsey Bahr's picks for the best movies of 2022: JAKE COYLE: 1. 鈥淎ftersun鈥� : Rarely does such a delicately crafted tale pack such a wallop .

鈥淧erhaps the ballyhoo meant nothing,鈥� Kevin Brownlow wrote in his defining history of the silent film era, 鈥淭he Parade鈥檚 Gone By鈥︹�� It鈥檚 probably true that even avid moviegoers have increasingly drifted away from the films of what Brownlow called, wit

What happens when your home no longer feels like a home? When the rules of your life no longer make sense? When your body is not your own? When your children are not safe and neither are you? Do you look for justice? Revenge? Apologies? Do you make a

Quick, without looking, guess how long it鈥檚 been since there鈥檚 been a Shrek movie or even a Shrek-adjacent one.

TORONTO 鈥� The cinematic canon is replete with stories of great men doing important things, says Canadian director Sarah Polley 鈥� from the president faced with tough choices in a time of crisis, to the football team that takes to the field in spite of

NEW YORK (AP) 鈥� To get a sense of Janelle Mon谩e鈥檚 powers of transformation, look no further than her Instagram photos of past Halloweens . Mon谩e doesn鈥檛 just throw something on.

Naomi Ackie, who plays Whitney Houston in the new biopic 鈥淚 Wanna Dance With Somebody,鈥� is the first to admit that she is not a doppelganger for the pop star. In fact, she鈥檒l go so far as to say she doesn鈥檛 look like her at all.

鈥� Avatar: The Way of Water 鈥� didn鈥檛 make quite as big of a splash as many assumed it would, but James Cameron鈥檚 big budget spectacle still helped breathe life into the box office this weekend.

TORONTO 鈥� With a striking blend of visual effects and state-of-the-art motion capture technology, "Avatar: The Way of Water" is billed as a movie-theatre experience unlike any other in the last few years, but it's by far James Cameron's biggest risk